Honza Zamojski, The Gathering and The Meeting (2019), 33rd Ljubljana Biennial of Graphic Arts, Crack Up – Crack Down, 2019, installation view at DUM Project Space.

Photo: Jaka Babnik. MGLC Archive.

Carlos Monroy, Baphomet. One single birth made incarnate, performance at the opening of the 32nd Biennial of Graphic Arts Ljubljana, Birth as Criterion, 16 June 2017; Erica Ferrari, To whom does this architecture belong?, projection on the facade of MGLC.

Photo: Urška Boljkovac. MGLC Archive.

Pilar Quinteros, Cathedral of Freedom (2015), 31st Biennial of Graphic Arts, Over you/you, Ljubljana, 2015.

Photo: Urška Boljkovac. MGLC Archive.

Allora & Calzadilla, Intermission (Halloween Afganistan IV, V) (2012) (left); Vargas-Suarez Universal, Cosmic Codex (2013) (right); Gerhard Richter, Patterns (2011) (front), 30th Ljubljana Biennial of Graphic Arts, Interruption, 2013, installation view at Moderna galerija.

Photo: Urška Boljkovac. MGLC Archive.

Tania Bruguera, Tatlin’s Whisper #5, performance at Cankarjev dom, on 16 November, 29th Biennial of Graphic Arts, The Event, Ljubljana, 2011, part Violence.

Photo: Jaka Babnik. MGLC Archive.

Swoon, Untitled (2009), 28th Biennial of Graphic Arts, Matrix: An Unstable Reality, Ljubljana, 2009, installation view at MGLC.

Photo: Bojan Velikonja. MGLC Archive.

Sašo Vrabič, 27th Biennial of Graphic Arts, The Unbound Eyes of Anxiousness, Ljubljana, 2007, installation view in a private apartment.

Photo: Bojan Velikonja. MGLC Archive.

Hanna Oinonen, Cover (2005) (front), Breathing (2005) (behind on the right); Tuija Arminen, Slow Down (2005) (behind on the left), selection: International Trienalle of Graphic Arts Graphica Creativa, Finland, 26th Biennial of Graphic Arts Ljubljana, Thrust, 2005, installation view at Tobačna Ljubljana.

Photo: Tomaž Lunder. MGLC Archive.

Allen Ruppersberg, Conversations 2003 (2003) (in front and right, platforms in space); Guest Publishers, Artists' Books (2000–2003) (left on a platform); Ivana Keser, Local News (1993–2003) (left); Erik Steinbrecher, Die Frisur und seine Frau (2001–2003) (middle); Raymond Pettibon, Plots on loan (2001) (right), 25th International Biennial of Graphic Arts, Ljubljana, 2003, installation view at Cankarjev dom Gallery.

Photo: Bojan Salaj. MGLC Archive.

Päivikki Kallio, Dialog (2001), 24th International Biennial of Graphic Arts, Ljubljana, 2001, installation view at Moderna galerija.

Photo: Igor Lapajne. MGLC Archive.

Lojze Logar, Albert & Tina (1999), 23rd International Biennial of Graphic Arts, Ljubljana, 1999, installation view at Moderna galerija.

MGLC Archive.

22nd International Biennial of Graphic Arts, Ljubljana, 1997, installation view at Moderna galerija.

Photo: Lado Mlekuž, Matija Pavlovec. Courtesy of Moderna galerija, Ljubljana.

21th International Biennial of Graphic Arts, Ljubljana, 1995, installation view at Moderna galerija.

Photo: Lado Mlekuž, Matija Pavlovec. Courtesy of Moderna galerija, Ljubljana.

20th International Biennial of Graphic Arts, Ljubljana, 1993, installation view at Moderna galerija.

MGLC Archive.

19th International Biennial of Graphic Arts, Ljubljana, 1991, installation view at Moderna galerija.

MGLC Archive.

18th International Biennial of Graphic Arts, Ljubljana, 1989, installation view at Moderna galerija.

MGLC Archive.

17th International Biennial of Graphic Arts, Ljubljana, 1987, installation view at Moderna galerija.

Courtesy of Moderna galerija, Ljubljana.

16th International Biennial of Graphic Arts, Ljubljana, 1985, installation view at Moderna galerija.

Courtesy of Moderna galerija, Ljubljana.

15th International Biennial of Graphic Arts, Ljubljana, 1983, installation view at Moderna galerija.

Courtesy of Moderna galerija, Ljubljana.

14th International Biennial of Graphic Arts, Ljubljana, 1981, installation view at Moderna galerija.

Courtesy of Moderna galerija, Ljubljana.

13th International Biennial of Graphic Arts, Ljubljana, 1979, installation view at Moderna galerija.

Courtesy of Moderna galerija, Ljubljana.

12th International Biennial of Graphic Arts, Ljubljana, 1977, installation view at Moderna galerija.

Courtesy of Moderna galerija, Ljubljana.

11th Biennial of Graphic Arts, Ljubljana, 1975, installation view at Moderna galerija.

Courtesy of Moderna galerija, Ljubljana.

10th Biennial of Graphic Arts, Ljubljana, 1973, installation view at Moderna galerija.

Courtesy of Moderna galerija, Ljubljana.

9th International Exhibition of Graphic Arts, Ljubljana, 1971, installation view at Moderna galerija.

Courtesy of Moderna galerija, Ljubljana.

8th International Exhibition of Graphic Arts, Ljubljana, 1969, installation view at Moderna galerija.

Courtesy of Moderna galerija, Ljubljana.

7th International Exhibition of Graphic Arts, Ljubljana, 1967, installation view at Moderna galerija.

Courtesy of Moderna galerija, Ljubljana.

6th International Exhibition of Graphic Arts, Ljubljana, 1965, installation view at Moderna galerija.

Courtesy of Moderna galerija, Ljubljana.

5th International Exhibition of Graphic Arts, Ljubljana, 1963, installation view at Moderna galerija.

Courtesy of Moderna galerija, Ljubljana.

4th International Exhibition of Graphic Arts, Ljubljana, 1961, installation view at Moderna galerija.

Courtesy of Moderna galerija, Ljubljana.

3rd International Exhibition of Graphic Arts, Ljubljana, 1959, the flags of the countries participating in the Biennial Exhibition in front of Moderna galerija.

Courtesy of Moderna galerija, Ljubljana.

2nd International Exhibition of Graphic Arts, Ljubljana, 1957, installation view at Moderna galerija.

Courtesy of Moderna galerija, Ljubljana.

1st International Exhibition of Graphic Arts, Ljubljana, 1955, installation view at Moderna galerija.

Courtesy of Moderna galerija, Ljubljana.

Biennale Symposium: Agyna, Advisory of Sages

As part of the 35th Ljubljana Biennale of Graphic Arts, which explores the ecosystem of connections, solidarities and histories of resistance resulting from the formerly close relations between post-independence Ghana and the former Yugoslavia, an international symposium entitled Agyina: Advisory of Sages will be held in Ljubljana from 16 to 18 November. The Biennale's public programme is curated by Exit Frame Collective from Ghana, which has named the symposium Agyina in reference to Ghana's largest ethnic group and their notion of a council that speaks to the fact that it takes more than one voice to have a meaningful discussion or debate.

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Exhibition of the Grand Prize Recipient of the 34th Ljubljana Biennale of Graphic Arts

Transformella is an Artificial Identity fed and cared for by JP Raether. Together they constitute a hybrid formation of authorship called aLifveForms that consists of many lines of life, among them also Transformellae. They first appeared in 2010 to research reproductive technologies and possibilities for reproductive futures beyond the horizon of ReproNormality. They forked into Transformella malor in 2015 and began to intervene in so-called Ikeality in the local stores, where home goods and family models are mass-reproduced. Since then, they have appeared in various Ikealities in Berlin, Warsaw, Hamburg and Düsseldorf.

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